![]() She was also a journalist, essayist and critic. ![]() Haz tu selección entre imágenes premium de Vidrio Roto de la más alta calidad. A sequel, with the significant title of La madre naturaleza (1887), marks a further advance in the path of naturalism. Encuentra fotos de stock de Vidrio Roto e imágenes editoriales de noticias en Getty Images. The best of Emilia Pardo Bazán's work is embodied in Los pazos de Ulloa (1886), the painfully exact history of a decadent aristocratic family. Meanwhile, the writer's reply to her critics was issued under the title of La cuestion palpitante (1883), a clever piece of rhetoric, but of no special value as regards criticism or dialectics. The book caused a sensation among the literary cliques, and this sensation was increased by the appearance of another naturalistic tale, La tribuna (1885), wherein the influence of Émile Zola is unmistakable. She is known for bringing naturalism to Spanish literature, for her detailed descriptions. It was followed by a more striking story, Un viaje de novios (1881), in which a discreet attempt was made to introduce into Spain the methods of French realism. Emilia Pardo Bazn was a Galician author and scholar from Galicia. Her first novel, Pascual López (1879), is a simple exercise in fantasy of no remarkable promise, though it contains good descriptive passages of romance. She is known for bringing naturalism to Spanish literature, for her detailed descriptions of reality, and for her role in feminist literature of her era. Emilia Pardo Bazán was a Galician author and scholar from Galicia.
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